"Summary of an Interview with Nora Dinzelbacher"
by George A. Nicol
San Francisco, California, USA
San Francisco, California
Nora was born in the city of La Paz, Entre Rios, the next province
north of Buenos Aires. She started dancing and performing mostly
Argentine folk dances in dance groups at the age of 9 or 10. She, however,
was exposed to Tango at an early age. Her father would always
sing Carlos Gardel Tango songs. Her uncle was a professional Tango
singer. Tango music was always in her home, although Nora laughingly says
she only dances Tango, she does not sing Tango. She loves the Tango
lyrics however.
Nora moved to Buenos Aries when she was 18 years of age and although
she went to the National School of dance, she also wanted to have a
radio talk show. The accent from her province, however, prevented this
from happening, so she focused on dance. Nora lived in Buenos Aires
until she came to the San Francisco Bay Area in 1986 on a cruse ship
where she was performing and teaching with her husband. When they saw
San Francisco she said "...we went crazy..." (with joy.) They then
returned to Buenos Aires where they were teaching and performing with
their dance group. They then returned to San Francisco in 1988 and
they decided to stay and make a living teaching and performing Tango.
In 1990 her husband died. This was a turning point in Nora's life.
She had to decide what to do without her other half both personally
and professionally. It was also very hard for her because her family
was in Argentina. After a difficult time she finally decided to stay
and make her stand in San Francisco. She speaks very warmly of the
support she got during that period from her Bay Area friends.
Nora said that she attributes love of her work to her success here. She
said she tries to go, stylistically, in the same direction and not
change with the prevailing winds. She tries to be very consistent with
her dancing and teaching style. She says Tango is her profession,
craziness, her love, and her life.
She teaches almost every day all over the Bay area. In the summertime
she tours the U.S. and Europe. She goes to Germany each year. This
year she's been to Paris and Tokyo, Japan. She loves Japan, the
people and the culture. She taught a single class in the Olympic
Village in Japan this year for 620 people. She says it was a great
experience to be alone in front of all those people teaching Tango.
In the summer she also has her Tango Week and a Tango Weekend. She has
done this for many years. She was the only teacher at the Stanford Tango
Week to participate in each of the seven years it ran.
For her Tango Week she had teachers from Argentina and had a live
band, the New York Tango Trio. There were classes run and a
Milonga with a live band each night. There were also lectures and films
from Argentina about Tango and the culture of Argentina.
Nora say that the San Francisco Bay Area has a special energy for
Tango. She also believes that the Bay Area has more Milongas and more
teachers than any other city in the world. She says one of the
benefits of having so many Milongas and teachers here is that the
level of dance in the Bay Areas is higher than in most cities because
there are more opportunities to take classes, practice and dance than
in other cities.
For the future Nora wants to continue to teach, choreograph, and
perform with her dance company, the Argentina Folk Ballet, which is
made up of five dance couples. Nora says she loves choreography and
performing on stage because it gives her yet another way to express
herself. She says she would love to perform more if she could find a
very good dance partner who will commit to work with her and one who
can stand her "bad humor" she says jokingly. She wants a partner from
Argentina whom she does not have to teach anything to, and one where
there is good dance chemistry.
Finally Nora says that the philosophy of Tango is told in how Tangueros live
their lives, the way they act, the way they talk, and their love of the night
life, with much socializing and human contact. In this day of technology she
believes like in dance, sometimes it is good to go back to the basics of
more social interaction and human contact.
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